© 2024 Western New York Public Broadcasting Association

140 Lower Terrace
Buffalo, NY 14202

Mailing Address:
Horizons Plaza P.O. Box 1263
Buffalo, NY 14240-1263

Buffalo Toronto Public Media | Phone 716-845-7000
WBFO Newsroom | Phone: 716-845-7040
Your NPR Station
Play Live Radio
Next Up:
0:00 0:00
Available On Air Stations

The Redemption of George Lucas

A full generation has passed since George Lucas launched a series that rocked the popular culture, and almost became a religion for some of its fans. But who is Lucas today? Has the reclusive filmmaker been changed by success, or is he just the person he was always destined to become?

Lucas got his start with two low-budget but critically lauded films -- the dystopian cautionary tale THX 1138 and the semi-autobiographical coming-of-age flick American Graffiti. But after the fairy-tale success of the first Star Wars film (re-titled Star Wars Episode IV: A New Hope when Lucas decided to film the "prequels"), critics say something changed in Lucas. He stopped chasing his artistic vision, instead handing off the director's job to the second and third installments of the original trilogy and focusing on the technical and monetary side of the movie business.

Those critics, and even some rabid Star Wars fans, say that focus was painfully evident when Lucas decided, 20 years after the first Star Wars film, to take the director's helm for the three "prequel" episodes. The first two of that trilogy, Episode I: The Phantom Menace and Episode II: Attack of the Clones, were almost universally panned for their leaden acting and ponderous plot lines -- and, of course, for Jar-Jar Binks.

Still, the faithful will return to watch Star Wars Episode III: Revenge of the Sith -- and the early, positive reviews are a welcome sign that the Star Wars magic may have been resurrected.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Kim Masters
Kim Masters covers the business of entertainment for NPR News. Her reports can be heard on NPR's award-winning Morning Edition, All Things Considered, and Weekend Edition. She joined NPR in 2003.